Pop Life single (1985) / The Hits/The B sides (1993)
The story is well known: Prince refused to sing on the charity supergroup single We are the World, instead offering to play guitar and eventually contributing a song for the album. Shyness and illness were both claimed as excuses but Wendy later revealed the real reason was that he thought the Michael Jackson and Lionel Ritchie-penned song was lame and would tarnish his image. Prince’s non-attendance caused controversy, especially as later that night (a night he was advised to keep a low profile on to let the illness alibi stick) his bodyguard beat up a reporter who allegedly tried to get in Prince’s car. This whole episode is chronicled in the surprisingly outspoken Hello, a b-side more likeable for the music than the hastily-assembled damage control. The uptempo beat is underpinned by an urgent synth line, which sounds like a beeping alarm clock your sleeping mind has woven a narrative around instead of waking you to hit the snooze button. A fantasy world you’ve escaped into, to flee the cold morning accusations. Duvet solace. Hello may, like its magazine namesake, dress up stage-managed PR as a candid glimpse behind the celebrity curtain, but behind the words lie some prime peak-Prince pop that you could live and die in. The extended mix where he withers incoherently about shoes is even better.

His incoherent withering is so much more insightful and engaging than his earnest preaching.