In 2004 Prince brought Michael B and Sonny T back into the studio for the first time since the Chaos and Disorder sessions. In a single, short creative burst they recorded the bulk of the Lotusflower album, some of Planet Earth and Prince’s last great title track: 3121. Within seconds of 3121′s opening bars you know the track’s in safe hands. The power duo forge a solid funk base that allows Prince freedom to really embrace his freak side and indulge in a level of goofing around not seen since the Emancipation album. Effects pedals are in full force. Horn synths bang out a big band solo. And most importantly, Michael B and Sonny T aren’t the only ones brought out of storage: Camille’s back baby! Other than a small cameo on 1+1+1 is 3 (and arguably a couple of tracks on the Slaughterhouse album) we hadn’t heard any new material from the pitch-shifted hermaphrodite since the 80s, a hibernation verging on the criminal. Camille’s vocals are sadly missing from live recordings and without them the beat, previously futuristic funk from an undersea city, gets reduced to the steady workhorse backing for a collection of ragtime numbers or a talkbox effect that fails to ignite the same flames as Prince singing through an effects pedal. On Indigo Nights Prince has to throw DMSR over the top to maintain the crowd’s interest. It’s fine for a stadium opener, but it’s no aftershow in Atlantis.