Prince pursues his Hot Thing over forbidden waters, in a cold drum-machine patrol boat that leaves capsized ships in its wake. His vessel is stripped back and hydrodynamically honed for the hunt. Laser sights locked on. Cruise control engaged. It’s all too easy. Then a stowaway is discovered on board – Eric Leeds with a rogue saxophone that begins to jam the precision technology and threatens to lose the chase. The devil’s horn, wild and organic, turns the sea’s white caps into galloping horses. Fifty Nereids glide under the surface. Spume and spray soak the deck. Luckily Prince knows how to harness this untethered, unpredictable spirit and tames it with freestyle incantations of his own (a scat taught to him by the Coco Boys). By the end of the track the saxophone is at heel and responding to attack commands. It’ll be utilised again on their next voyage – the extended mix – but this time the underlying tension and conflict will be replaced by Sugar Walls sea shanties.

48: Hot Thing
Sign o’ the Times (1987)
Love this song. Love the extended remix that was on “Ultimate Prince” more. The only “remix” from that album that was worth anything.
Though this track has always been part of my Prince Top 20 (and I assume that it always will be), I have never quite thought about it the way that you just defined it. A great maelstrom for sure.
I love the song, not least the dub remix. I think I love your description even more.