Prince pursues his Hot Thing over forbidden waters, in a cold drum-machine patrol boat that leaves capsized ships in its wake. His vessel is stripped back and hydrodynamically honed for the hunt. Laser sights locked on. Cruise control engaged. It’s all too easy. Then a stowaway is discovered on board – Eric Leeds with a rogue saxophone that begins to jam the precision technology and threatens to lose the chase. The devil’s horn, wild and organic, turns the sea’s white caps into galloping horses. Fifty Nereids glide under the surface. Spume and spray soak the deck. Luckily Prince knows how to harness this untethered, unpredictable spirit and tames it with freestyle incantations of his own (a scat taught to him by the Coco Boys). By the end of the track the saxophone is at heel and responding to attack commands. It’ll be utilised again on their next voyage – the extended mix – but this time the underlying tension and conflict will be replaced by Sugar Walls sea shanties.
Sign o’ the Times (1987)